Big business deluxe game update how to#
Big business deluxe game update free#

When Swift announced the rerecording on her social media, she said that this rerecording was her favorite because “the five vault songs are insane.” Little did fans know, “insane” would refer to the amount of jaw-dropping lyrical prowess they possess. The only rerecording that seems to not be on par with the others is closing track “New Romantics,” where the production just seems to overwhelm the song. Like all the other rerecords, the maturity benefits these songs.

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Except this time, it feels like Swift really is clean and has learned how to put love into words. “You Are in Love” and “Clean” remain the emotional standouts of the album, bringing the same passion and emotion to their respective tracks as in the original album. On “1989 (Taylor’s Version),” the vocals all feel comfortable, the natural extensions of Swift’s range. “I Know Places,” “How You Get the Girl” and “Wonderland” are just as fun as ever, with richer music and more of Swift’s comfortable vocals. “Bad Blood” has the most tonal shift: Instead of being singularly angry, it takes on a haunting swirl of emotions and a blurred background production that feels like a cousin to Swift’s other revenge tracks, layered with other emotions than simple anger. It feels like a new version of the song for the next generation. “Shake It Off,” the biggest hit off of “1989,” retains its message about self-positivity with gentler vocals and an enhanced bridge. “All You Had to Do Was Stay” and “I Wish You Would” remain almost identical, with subtle vocal overlapping differences. “Out of the Woods” is elevated to an ethereal space, with echoing instrumentals and a nice key change for Swift’s high note after the bridge. “Style” adapts a new electric guitar riff, enhanced by the electric sound and synth. “Blank Space” immediately echos the exact production and vocals played at the Eras Tour, which seems like a deliberate choice by Swift, who is adamant about owning her own music. “Welcome to New York” takes on a more electro-pop production, synth and layered vocals blending in harmony. Produced almost exclusively by longtime musical partner Jack Antonoff, the updated production of “1989” is similar to that of Swift’s “Midnights.” 27, and a Target exclusive features “Sweeter Than Fiction,” a song Swift recorded for the film “One Chance.” A digital deluxe version with “Bad Blood feat. Three other vinyl and CD variants arrived, all with the same tracks: 16 songs and five songs from her vault. While the original Polaroid cover almost felt trapped and highly structured, the Taylor’s Version cover flies free.

Big business deluxe game update free#

The album cover features Swift grinning in the distance, the seagulls that had been on her sweatshirt in the original cover flying free behind her. The rebrand for Taylor’s Version includes reshaping the aesthetic to focus more on a beach vibe than a city one. The “1989” era is traditionally symbolized by Swift living in New York City as a young woman in her 20s - more focused on female friendships than dating after a slew of media attention on her romantic life - a free-spirited girl soaking up the adventure of the big city with short hair, cherry-red lipstick and sunglasses. 9 Eras Tour stop in Los Angeles (a playful announcement date, as the numerical month and day formed 8/9), demand and enthusiasm for the album hit an almost fever pitch among fans. When “1989 (Taylor’s Version)” was announced at the singer’s Aug.